by jimwalton » Tue Oct 03, 2017 3:30 pm
It seems that we're coming to a point of seeing fairly eye to eye on most things. Ah, the virtues of open and respectful dialogue.
> The Gnostic Gospels etc.
The Gnostic Gospels were written as if the person had some kind of visionary experience revealing these mysteries to them, with the consideration that what was coming to them was the real truth about things. Their objective is more ideological than anything else. The question of historiography may have baffled them a little bit. "Did these things actually happen?" we might ask, to which they'd respond, "Ideologically they did, of course." They considered it no less real. Part of the problem is we are applying 21st century terms with a 21st-c. mentality, which just may motivate us to ask the wrong questions in pursuit of something foreign to them.
> This seems a very good description of the gospels as well.
I don't think so. The Gospels are more like theographies: theological interpretations of historical events, whereas the Hindu writings are far more philosophical and far less historical. Where the Gospel read, "Early in the morning Jesus rose and went to Capernaum, and there he met a centurion," the Hindu texts read, "The goal which all the Vedas declare, which all austerities aim at, and which men desire when the lead the life of continence, I will tell you briefly: it is OM. This syllable OM is indeed Brahman. This syllable is the Highest. Whoever knows this syllable obtains all that he desires."
> the Song of Simeon in Luke 2
Yeah, Simeon's "song" is only 36 words. They don't rhyme. They're not like iambic pentameter or anything. It is spoken in lines, but it's more like a free-form verse. Not a terrible challenge, and it certainly wouldn't convince me Luke's Gospel is fictional. You're right that it was probably spoken on the spur of the moment.
> Mary's song
I don't know about you, but my high school had a literary club where many teenage girls were composing notebooks full of poetry.
> the form of these poems suggests they were composed in Greek (is this not the case?)
Mary was probably not a Greek speaker. Most likely she spoke Aramaic, and possibly ONLY Aramaic (no one can say for sure). But there's nothing in the Greek that would suggest it was composed in the Greek rather than translated to it. As I said, the Greek doesn't rhyme, it's not in rhythmic meter (where you can keep a beat to it), the lines aren't of equal length, and it's lacking in parallelism (which is typical of Hebrew poetry, but not necessarily of Aramaic).
> It's also rather strange, to say the least, that this cultural poetry-writing seems fairly limited to the pre-nativity narrative (it basically vanishes as the Gospel of Luke continues, doesn't it?).
In many cases poetry was the medium of prophecy. It makes sense that Mary, Zechariah, and Simeon's "songs" are poetic because they're prophetic. (Compare the poetic prophecy of Lk. 3.4-6; 4.10-11, 18-19; 7.27, 32; et al.). Jesus speaks somewhat poetically in Lk. 6.20-26, but it's not strictly poetry either, but more like free-form verse also.
> all these problems seem easily addressed by the proposition that Luke was offering some creative compositions to begin his narrative, and expected his audience to take them as such.
That could be true, but it's just as possible that these poems were composed by Mary and Zach, and that Simeon effused poetic praise for 36 words.
> I'd certainly agree, but obviously Luke was not basing his theology on a as-yet-unwritten Bible.
That's not so obvious, and I would disagree with you. The Old Testament was certainly in place. The majority, if not all, of Paul's letters were in place (and Luke was a friend and fellow-traveler of Paul's), and it's fairly certain that Luke got some of his research from the Gospel of Mark, which was also in place. Luke had a lot of material to work with for a theological base.
> My point is that Luke had an obvious motivation to confirm the already-existent belief in the virgin birth, and he very well may have already believed in the virgin birth before even beginning to write his gospel.
Yeah, I hear that. My point is that Luke had an obvious motivation to confirm the virgin birth, because that's what happened. He was merely reporting the facts.
> The point isn't that they wrote the gospels as theological treatises, but rather that they wrote the gospels in part to promote their own theologies.
I agree with the first half, but not with the second. The Gospels aren't primarily theological treatises, but the life of Jesus to present him in a certain light (Lk. 1.1-4; not to promote their own theologies). Luke presents Jesus...
- as the true King confronting the false kingdoms of earth (and in that sense is the most political of the Gospels)
- as the Righteous Ruler. Common themes in Luke are justice, gender equality, caring for the poor, and wealth and poverty.
- as the Prophet who is the fulfillment of Jewish prophecy (but interestingly
he doesn't use Isa. 7.14!)
- Luke develops a theology of persecution in Luke-Acts
- as the sufferer (unjustly so) who brings salvation
These are not particularly theologies as much as they are a perspective of Jesus designed to reach Luke's audience, presumably Gentiles.
It seems that we're coming to a point of seeing fairly eye to eye on most things. Ah, the virtues of open and respectful dialogue.
> The Gnostic Gospels etc.
The Gnostic Gospels were written as if the person had some kind of visionary experience revealing these mysteries to them, with the consideration that what was coming to them was the real truth about things. Their objective is more ideological than anything else. The question of historiography may have baffled them a little bit. "Did these things actually happen?" we might ask, to which they'd respond, "Ideologically they did, of course." They considered it no less real. Part of the problem is we are applying 21st century terms with a 21st-c. mentality, which just may motivate us to ask the wrong questions in pursuit of something foreign to them.
> This seems a very good description of the gospels as well.
I don't think so. The Gospels are more like theographies: theological interpretations of historical events, whereas the Hindu writings are far more philosophical and far less historical. Where the Gospel read, "Early in the morning Jesus rose and went to Capernaum, and there he met a centurion," the Hindu texts read, "The goal which all the Vedas declare, which all austerities aim at, and which men desire when the lead the life of continence, I will tell you briefly: it is OM. This syllable OM is indeed Brahman. This syllable is the Highest. Whoever knows this syllable obtains all that he desires."
> the Song of Simeon in Luke 2
Yeah, Simeon's "song" is only 36 words. They don't rhyme. They're not like iambic pentameter or anything. It is spoken in lines, but it's more like a free-form verse. Not a terrible challenge, and it certainly wouldn't convince me Luke's Gospel is fictional. You're right that it was probably spoken on the spur of the moment.
> Mary's song
I don't know about you, but my high school had a literary club where many teenage girls were composing notebooks full of poetry.
> the form of these poems suggests they were composed in Greek (is this not the case?)
Mary was probably not a Greek speaker. Most likely she spoke Aramaic, and possibly ONLY Aramaic (no one can say for sure). But there's nothing in the Greek that would suggest it was composed in the Greek rather than translated to it. As I said, the Greek doesn't rhyme, it's not in rhythmic meter (where you can keep a beat to it), the lines aren't of equal length, and it's lacking in parallelism (which is typical of Hebrew poetry, but not necessarily of Aramaic).
> It's also rather strange, to say the least, that this cultural poetry-writing seems fairly limited to the pre-nativity narrative (it basically vanishes as the Gospel of Luke continues, doesn't it?).
In many cases poetry was the medium of prophecy. It makes sense that Mary, Zechariah, and Simeon's "songs" are poetic because they're prophetic. (Compare the poetic prophecy of Lk. 3.4-6; 4.10-11, 18-19; 7.27, 32; et al.). Jesus speaks somewhat poetically in Lk. 6.20-26, but it's not strictly poetry either, but more like free-form verse also.
> all these problems seem easily addressed by the proposition that Luke was offering some creative compositions to begin his narrative, and expected his audience to take them as such.
That could be true, but it's just as possible that these poems were composed by Mary and Zach, and that Simeon effused poetic praise for 36 words.
> I'd certainly agree, but obviously Luke was not basing his theology on a as-yet-unwritten Bible.
That's not so obvious, and I would disagree with you. The Old Testament was certainly in place. The majority, if not all, of Paul's letters were in place (and Luke was a friend and fellow-traveler of Paul's), and it's fairly certain that Luke got some of his research from the Gospel of Mark, which was also in place. Luke had a lot of material to work with for a theological base.
> My point is that Luke had an obvious motivation to confirm the already-existent belief in the virgin birth, and he very well may have already believed in the virgin birth before even beginning to write his gospel.
Yeah, I hear that. My point is that Luke had an obvious motivation to confirm the virgin birth, because that's what happened. He was merely reporting the facts.
> The point isn't that they wrote the gospels as theological treatises, but rather that they wrote the gospels in part to promote their own theologies.
I agree with the first half, but not with the second. The Gospels aren't primarily theological treatises, but the life of Jesus to present him in a certain light (Lk. 1.1-4; not to promote their own theologies). Luke presents Jesus...
- as the true King confronting the false kingdoms of earth (and in that sense is the most political of the Gospels)
- as the Righteous Ruler. Common themes in Luke are justice, gender equality, caring for the poor, and wealth and poverty.
- as the Prophet who is the fulfillment of Jewish prophecy (but interestingly
he doesn't use Isa. 7.14!)
- Luke develops a theology of persecution in Luke-Acts
- as the sufferer (unjustly so) who brings salvation
These are not particularly theologies as much as they are a perspective of Jesus designed to reach Luke's audience, presumably Gentiles.