by jimwalton » Tue Oct 30, 2018 3:29 pm
> Sorry, but these points conflict. The literal text of the story is about material creation
Thanks for the conversation. What you don't understand is that the Hebrew word "bara" that we translate as "create" was not used by the Hebrews for material creation, but rather abstract things (purity, righteousness, people groups like the nations). It is never talking about making a thing, but rather an abstraction. It never refers to materials because that's not what it's talking about. A similar kind of English parallel might be when we say something like, "I created a masterpiece," or "I created havoc." When we read "create," we think MATERIAL! But that's our mistake. Instead the word is used in the Bible to speak of something other than material things. Now, God certainly created the universe (Isa. 66.2; Jn. 1.3; Heb. 1.3; 11.2), but that's not what Genesis 1-2 are about. In Genesis 1-2, God is creating functionality.
> literal days
Again, look at it with different eyes. Genesis 1 is an ancient temple text. No temple made by human hands was suitable for the true God, so God is establishing a temple worthy to speak his glory, and it's the cosmos. He orders the cosmos to function as his temple. Every temple dedication ceremony in the ancient world was a 7-day ceremony, rehearsing the acts of their deity and his greatness. The 7 days of Genesis are not chronology but revelation: the greatness of God and his power and purposes in ordering creation. Of course they're literal days, but the text is not about a 6-day creation, but a 6-day rehearsal of the greatness of God. Then on the 7th day God comes to rest in his temple, which means he comes to live in it and engage his people. This was the understanding of all ancient temple texts, and Genesis should not be read with modern eyes. We have to see it through ancient eyes.
> Interpreting this as really referring to functions and roles is valid, but such an interpretation is metaphorical by definition.
Metaphor is the wrong word. It makes it seem symbolic or figurative, which it is not. God is literally ordering the universe to function as his temple. His real actions have historical points of intersection. It's not a metaphor at all. When I move my stuff into a new house, I order it to create a home for myself. Before it was empty and void, but I fill it and order and create a home. That's what's happening here. I make the house that was there functional for me.
> "Then the Lord God formed a man from the dust of the ground and breathed into his nostrils the breath of life, and the man became a living being."
We need to stop treating the text like it was written in the Western world last year.
"Adam" is the Hebrew word for humankind, not an individual. Hebrew wasn't invented yet, so this is a category, not an individual's name. Of the 34 occurrences of "Adam" in Gn. 1-5, 22 have the definite article, which in Hebrew is never used of a personal name. so it is here. (Only 5 times is it used of an individual.) Therefore this is a reference to humanity, of which the individual in Gn. 1-3 is an archetype (not an allegory or metaphor).
In the ancient world dust is a symbol of mortality (Gn. 3.14; Ps. 103.14). Humankind was created with mortal bodies. Not only is it explicit in the text (Gn. 3.14), but it's logical in that a tree of life would otherwise be unnecessary. Adam is an archetype (not an allegory or a metaphor, please). In Adam we know that all homo sapiens were mortal.
I know it's traditional to think that God knelt down and formed Adam materially with his hands out of the ground, but that's just a nice poetic rendering. That makes us think more like Pinocchio than reality. If you wanna get literal, dust isn't moldable. The verb "yasar" (formed) doesn't need to make your mind think of sculpting. If that were the case, clay would be a better medium. Read Zech. 12.1, where the Lord forms the human spirit within a person. That's more the idea, and it sure isn't talking about m material creation. In the Egyptian reliefs Khnum, the craftsmen creator deity forms the pharaoh. He's not involved in material creation, but is designing the pharaoh for his role and function. We should understand this process as archetypal rather than referring to material origins.
> "So the Lord God caused the man to fall into a deep sleep; and while he was sleeping, he took one of the man’s ribs and then closed up the place with flesh. Then the Lord God made a woman from the rib he had taken out of the man"
First of all, again in Gn. 2.21 we have "Adam" with the article, telling us it's talking about humanity, not an individual. In Hebrew, the "rib" (tsela) is not a piece of anatomy, but rather the side of a building or room. The word is not used anatomically anywhere else in the Old Testament, so not here either. It is first translated "rib" in the Septuagint, and we have all been suffering from that translation ever since. Instead, God is communicating to humanity about the nature and identity of the woman. She is of the same substance and essence as he is. She is his "counterpartner," neither his inferior nor his servant. The text is establishing the unity of humanity and the equality of men and women.
> Nudity...Metaphor.
Yes. It's figurative. Interestingly, the word for the shrewd cunning of the serpent (3.1) is 'arum; the word for nakedness here is 'arummim. The two verses are next to each other. So we're seeing a wordplay: the serpent is shrewd, and the humans are...unshrewd, therefore, innocent and pure.
Secondly, clothing has great symbolic meaning in the Bible: power, vulnerability, status, station, even sometimes morality and spirituality. Here the man and woman are complete naked, a clear biblical metaphor of their moral innocence.
When Gn. 2.25 says they were naked and felt no shame, we can understand it to mean their relationship with each other was unhindered by guilt, fear, mistrust, domination, or evil. They are portrayed as morally and spiritually "not guilty". So also, and primarily, their relationship with God. Nothing stood between them and God. Their nakedness is a picture of freedom, a state of innocence, and a symbol of uncorrupted relationship.
> "Now the serpent was more crafty than any of the wild animals the Lord God had made."
Ha, you want to know if the serpent is presented as a spiritual being, why is he contrasted with wild animals? Good question. This tells us the serpent was not just a symbol. He's not a metaphor, but just as real as any other created thing.
> it is that you are already taking it metaphorically, not as actual, literal events.
Then you have missed what I'm saying. It's very real. "Literal" is not a helpful term. I don't take it metaphorically. I take it as an account of functional creation, not material creation. These were actual events in space/time history. They don't contradict with evolution. They don't contradict with each other. They're not metaphorical. The narrative of Genesis 2 portrays Adam and Eve as archetypes of humanity, which is just the way Romans 12.5-20 portrays them: historical, but representing all humankind.