> God often uses methods that have a parable effect: there are elements in His methods that connect with truths in other categories. Here a flood speaks of disorder (in the ancient world their primary worldview concerns were order, disorder and non-order), which is one important point the text is making. God is returning the landscape back to disorder (Gn. 1.2) since the people had made it a place of disorder with their sin. The cosmic sea was an element of chaos, so this was important imagery to the ancients.
But why? Again, this supports my point. More drama and theatrics.
> Also, why would he return the landscape to "disorder" if the problem is that people are making it disordered?
> Third, (similar to the first), water was seen as a spiritual force, so it spoke of divine judgment more than turning people to dust would have.
This part seems to be about what people thought in their ignorance was specific judgement when it was actually just normal disasters that happened according to the normal physical laws, not due to miracles.
> The work of God is usually in the vein of lex talionis: let the punishment fit the crime. They had committed spiritual treason, and so were judged with what was perceived by them as a spiritual force. They had also grieved God's heart (Gn. 6.6), so their punishment was grievous.
Doesn't explain the unnecessary suffering of the animals and babies.
"Grief" is among the emotions an omniscient, omnipotent being shouldn't be able to feel (though again, more drama typical of a narcissist). If you fully expect/know something to happen, and you have the power to prevent it, there's no reason to let it happen if you don't want it to.
> Please don't jump to conclusions before having the facts. It wasn't a dramatic, theatrical display, but one with spiritual and symbolic meaning. You just assume God is melodramatic, that the story was a human invention, and that God is narcissistic before you have even discussed it!
How is this symbolism stuff not a melodramatic, theatrical thing? That's one of the aspects of what makes something theatrical or melodramatic in the first place.
Many behaviors of God are uncannily similar to those of narcissists, and my point is that these details are more indicative of human invention than actually representing an omnipotent, omniscient, perfect being.
> Again, what makes you think that the author "adapted the story from sumerian myths" rather than that the Bible, Sumer, Babylon, and Mesopotamia are all recording the same historical event from their own theological perspectives? We see the same thing today. President Trump does something—oh, anything—and the Republicans and Democrats interpret it according to their political perspectives. But the thing actually happened. It was an event in history.
Historical events don't get twisted to such massive degree, especially when they all sprout from the same family.:
Causes of flood: Angry god, annoyed group of gods, giant being slain and spilling blood, people dropping containers with inexplicable amounts of water in them
Purposes of flood: Restart human race, creating the world to begin with, getting rid of twisted monsters,
How they survived: Hiding on mountain, hiding inside a shell, hiding inside a barrel, floating on driftwood, built a boat in advance (shape of boat varies wildly, may be drawn by giant fish), boat built for them by non-human beings,
How many survived: One couple, many people friends with the couple, many unrelated people surviving on their own, none of the animals whatsoever, many animals, 2 of each kind, ogres
https://youtu.be/DrDTaHjg2IQ?list=PLXJ4dsU0oGMJP95iZJqEjmc5oxY5r6BzP&t=253Just a handful of the stories really. Lots more exist.
This clearly isn't a case of the same story being remembered. On the contrary, with Trump, the variations are mostly all about his personal motivations for given actions or his competency (or lack thereof). With a couple of variations on whether he was elected fairly or with manipulation. Nobody disagrees that he made this bill or that bill, or went to this talk or that one.